Exhibition opening April 25 at Harvestworks

February 11, 2014

Please join me for the opening reception of my solo show at Harvestworks in New York.

[Apr 25-27] David Galbraith: Density

Friday April 25th, 7pm (Opening)
Sat/Sun, Apr 26/27, 3pm to 7pm (Installation)
Admission: FREE

Location
Harvestworks
596 Broadway, #602 | New York, NY 10012 | Phone: 212-431-1130
Subway: F/M/D/B Broadway/Lafayette, R Prince, 6 Bleecker

http://www.harvestworks.org/apr-25-27-david-galbraith-density/

Density
Density is a generative installation of abstract animation with six-channel sound based on a vintage mathematics reference text. Reversing the traditional visual music mapping from musical pitch to color hue, Density structures the sonic realm through constraints derived from the visual domain. The animation is created with custom software which simultaneously generates sound via granular synthesis controlled by the image track, sparking the interplay between image and sound.

Exhibition opening and performance Jan. 11 in Los Angeles

January 6, 2014

I have new work opening in Los Angeles on Saturday, January 11. Please join me for the opening event where I’ll be performing at 7pm.

Opening: Saturday January 11 5-9pm

DEWEY AMBROSINO, DAVID GALBRAITH, JACQUELINE KIYOMI GORDON, DAVID SCHAFER

Performances:

DSE 6:00pm

David Galbraith 7:00pm

Dewey Ambrosino & Jacqueline Kiyomi Gordon 8:00pm

Location:
Samuel Freeman Gallery
2639 South La Cienega Blvd
Los Angeles, CA, 90034
+1 (310) 425-8601
www.samuelfreeman.com

See the press release in the previous post for details about the exhibition.

Exhibition at Samuel Freeman

January 2, 2014

Press release for Dewey Ambrosino, David Galbraith, Jacqueline Kiyomi Gordon, David Schafer exhibition

LUMEN 2013 Video and Performance Festival

May 22, 2013

 

Please join me for LUMEN 2013.

image of LUMEN Festival Invitation postcard

 

SATURDAY JUNE 15, 6PM – MIDNIGHT (ONE NIGHT ONLY)

LUMEN 2013 will feature video installations, new media projections, animation, light and sound art, curated this year by David C. Terry and Esther Neff.

The fourth annual LUMEN Video and Performance Festival will be taking place at Lyons Pool. The pool, one of a group of eleven immense public swimming pools that opened throughout the city in the summer of 1936, will be transformed by 63 local and international artists who will participate in this year’s LUMEN Festival.

Free and open to the public.

Presented by Staten Island Arts in partnership with NYC Parks & Recreation.

 

TRANSPORTATION

Lyons Pool is located at 6 Victory Blvd (at Murray Hulbert Ave.) Staten Island, NY 10301, about a 5 minute bus or train ride via public transportation from the St. George Ferry Terminal or an 8 minute bike ride or 15 minute walk. Note: There is a pedestrian bridge at the foot of Victory Blvd (at Bay Street), that takes you directly to Lyons Pool. The ferry ride is approximately 30 minutes, and its schedule can be found here. Bike Valet is provided by Bicycle Utopia.

 

FOOD
Special food trucks will be set up at the event. There will also be beer and sangria available for purchase on-site.

 

MORE INFORMATION

www.lumenfest.org provides more information about LUMEN and the artists involved, transportation, and view images from previous years’ festivals.

Southampton Press on Parrish Video Program

March 20, 2013

My work is mentioned in this Southampton Press feature article about the As the Eye is Formed video program at the Parrish Art Museum:

Breaking Limits With Video Art

 

 

Screenings at the Parrish Art Museum

February 15, 2013

I am participating in two screenings at the Parrish Art Museum in March.

As the Eye is Formed
Juried Video Screening
Friday, March 1, 2013 – 6:00pm to 7:30pm
and
Friday, March 29, 2013 – 6:00pm to 7:30pm
$10 | Free for Members, Children & Students

Co-presented with Hamptons International Film Festival
Juried by Peter Campus

Moving images have become our first language, and as such, affect the way we make meaning and perceive the world. What constitutes a movie is no longer stable or simple to define. As the Eye is Formed is a juried screening that surveys recent developments in moving image art, selected by one of video art’s most enduring and significant practitioners, Peter Campus. Works in this program push the boundaries of cinema, and may be abstract, generative, data-driven, animated, or include other hybrid techniques that are emblematic of our increasingly digital culture. Video by the following artists have been selected:

Aaron Bowles
Ahmet Civelek
Solange Fabiao
David Galbraith
Neil Goldberg
Theresa Hackett
Amber Heaton
Peter Macapia
Jason Mitcham
Alexandra Momin
Joe Nanashe
David Weiner
Roger Welch
Sheri Wills

Parrish Art Museum
279 Montauk Highway Water Mill, NY 11976
T 631-283-2118

Michael Asher New York Memorial

February 1, 2013

I am honored to be an organizer and speaker for this celebration of the life and work of Michael Asher (1943 – 2012).

image of Invitation for Michael Asher New York memorial

Celebration of the Life and Work of Michael Asher

Performance at Judson Memorial Church

November 21, 2012

Non-place / place
A sonic exchange in form of a multi-channel sound installation and a concert.
Organized by Daniel Neumann and Gill Arno and featuring international phonographers and local sound artists and musicians at Judson Memorial Church as part of the Ear to the Earth 2012.

Monday, November 26
2-8pm installation with slow live alterations
8pm concert

55 Washington Square South, New York, NY 10012

http://bit.ly/TdjY57

http://on.fb.me/UgfCgF

Participants (lineup in progress)

Local:
Andrew Lafkas, Barry Weisblat, Ben Owen, Dave Ruder, David Galbraith, Jason Brogan, Jennifer Grossman, Madeleine Shapiro, Richard Kamerman, Tyler Wilcox, Theres Wegmann (graphic design), Wolfgang Gil (programming)

International:
Alan Courtis (Argentina), Bernd Schurer (Switzerland), Ernst Karel (U.S.), Estherb (Canada), Gil Sanson (Venezuela), Gilles Aubry (Switzerland/Germany), Jason Kahn (U.S./Switzerland), Joda Clément (Canada), John Grzinich (U.S./Estonia), Jordan Paul (U.S.), Martin Janicek (Czech Republic), Pali Mersault (France), Patrick Franke (Germany), Patrick McGinley (U.S./Estonia), Sebastien Roux (France), Simon Whetham (United Kingdom)

Arno and Neumann receive recordings from multiple international phonographers that deal with the concept of Non-place as articulated by Marc Augé. These recordings are cataloged and arranged into a complex acoustic topology inside the Judson Memorial Church. The installation will run in the afternoon and subsequently function as the starting point and the environment of the evening concert.

image of Non-place / place at Judson Memorial Church

Sound installation before evening concert

Wave Farm Residency Photos

October 14, 2012

John Cage Reflections (sound excerpt)

October 11, 2012

John Cage Reflections (excerpt)
sound, 2012
excerpt duration: 3:15
duration of complete work: 33:44

Listen to

This excerpt is taken from the broadcast premiere of John Cage Reflections on Sept. 22, 2012 at Wave Farm in Acra, NY as part of 120 Hours for John Cage, a John Cage centennial program organized by free103point9 and the John Cage Trust.

John Cage Reflections is a work that combines spoken word with a live performance of Cage’s Cartridge Music. An actor inspired by Cage’s speaking voice reads text adapted from a 1972 interview with Cage later published as “Reflections of a Progressive Composer on a Damaged Society.” David Galbraith and James Galbraith perform the Duet for Cymbal version of Cartridge Music. Since both the voice and electroacoustic parts were composed using the Cartridge Music chance procedures involving graphical shapes and transparencies with dots, circles, lines and a circle marked like a stop-watch, the parts will at times overlap and compete volume-wise. Cartridge Music was included in the David Tudor 39th birthday concert in 1965, and on the program for a John Cage 75th birthday public performance in New York.  “Cage was the first composer (with his Cartridge Music of 1960) to realize the potential of an electronic music made live in the concert hall,” wrote Michael Nyman in his book Experimental Music: Cage and Beyond.